“I want to crawl out of my skin, jump in front of a car, and
cry. All at the same time.”
“This is like trying to scale that prison wall in Dark
Knight Rises.”
“This is like swimming through Jell-o. I just want to stop.”
“No writerly stirrings. It's like being cut off from one of
my senses.”
“Donned bright colors to try and lift my mood. Alas, now I'm
just a sad girl in a red dress.”
“Sometimes, handling depression and anxiety is like trying
to leash a lynx. And a hyena. In the middle of rush hour traffic.”
There are a thousand ways to describe mental illness when
you’re a writer, so many metaphors at your disposal and so many adjectives to
try and capture the darkness, the hopelessness, and the exhaustion. But there’s
only one real way to live it: your way.
My way.
My way, as Fezzik says in The Princess Bride, is not very sportsman-like.
Waking up with a fist squeezing my heart and my lungs.
Scrambling for my daily antidepressant like it’s a lifeline. Feeling utterly
helpless when, during PMS, the medication is completely ineffective and my
emotions careen out of control like a ball in a pinball machine. I bang into
misery, whack at hatred, bounce back and forth between hyper and tearful. I’m a
monster, then. The asshole I’m sure everybody already knows I am. Weak.
Selfish.
Because that’s what the anxiety and depression are, at least
according to my psychiatrist: a form of narcissism. Because everything becomes
about you. I’m terrible. I’m horrible.
Everyone hates me. They’re all
looking at me. They’re all
judging me. When you’re in the
middle of the spiral, your life is not your own, but a melodrama played out for
an imaginary audience.
But, really, I’m the
audience. For the reruns that play behind my eyes. The sharp recriminations.
The self-mockery. The assurances that I’ll never succeed, never be anybody,
never be loved. It would be simple if they were just voices. But they have
phantom hands that tie mine behind my back. That drop a door between me and the
only thing I’ve had to cling to over the years: my creativity. I’m in solitary
confinement until depression and anxiety let me go. It can be hours. It can be
days. Weeks. Months. Each sentence is different. Each punishment attuned to a
specific trigger, a particular vulnerability and one stupid thing I did or
said. And my stories are gone. My characters can’t visit.
So what do I do?
I breathe.
I whisper, “It’s okay,” over and over like a mantra.
I try to remember that I am not my mental illness.
I remind myself that I did not sign the South Asian social contract to suffer in silence and keep my
dirty laundry hidden.
I wake up.
I rise.
I put one foot in front of the other.
I try.
And I wait to be free.
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